Dwelling in Music
From Pythagoras to Bach and on finding new grounding in Music
Part 1 of 11
1.
Today music is understood as an art form, an art form the place of
which is designated as aesthetically conveying experiences and ideas
using the sound medium. This current view of music is the result of
an entire age's worth of change and evolution and while persuasive
and true in a very concrete way it begs the question of whether there
is more to music than merely expressing inner states and feelings
with musical instruments. In this essay I would like to show how the
evolution of music didn't deepen our understanding of it, but rather,
removed music from the everyday reality of dwelling and confined it
to only those characteristics which belong to it as aesthetics. This
aspect, which is now perceived to be the whole of music, is the
aspect in which music is art. It is the art-as-aesthetics that has
its value measured by the intellect and is employed to invoke both
contemplative sense of order and beauty as well as an emotional
response, in popular music genres particularly, by calling upon
sounds and harmonies which awaken particular psycho-somatic responses
to music. These are now more and more subject to scientific research
into the human psyche and while not part of the classical music
tradition they still operate in the same spirit of striving to define
and confine the scope of music to its preconceived man ordained role.